Michael Patrick was known for his powerful presence across theatre and television, with a career that spanned Shakespearean productions, BBC dramas, and international series. Here are eight notable performances that defined his work.
Richard III (Lyric theatre) (2024)
Even after his diagnosis, Patrick delivered a widely praised performance in the title role of Richard III at Belfast’s Lyric Theatre. His work was described as a “masterclass in Shakespearean verse speaking… an unforgettable act of physical expression and artistic courage.”
Measure for Measure (Royal Shakespeare Company)
Patrick appeared in Measure for Measure with the Royal Shakespeare Company, showcasing his strength in classical theatre and his command of Shakespearean language.
The Taming of the Shrew (Royal Shakespeare Company)
Another major Shakespearean credit came with The Taming of the Shrew, further establishing his reputation as a skilled stage actor in prestigious productions.
My Left Nut (Stage and BBC adaptation)
Patrick co-wrote and performed in the one-man show My Left Nut, which toured Ireland and the UK before being adapted into a BBC Three series, highlighting his range as both a performer and writer.
My Right Foot (Dublin Theatre Festival) (2025)
His autobiographical play My Right Foot, co-written and directed by Oisín Kearney, premiered at the Dublin Theatre Festival. The production explored his experience after being diagnosed with Motor Neurone Disease and received critical acclaim.
Game of Thrones (Season 6)
Patrick appeared as a wildling rioter in the sixth season of Game of Thrones, marking his presence in one of television’s most globally recognized shows.
This Town (BBC Series)
He featured in the BBC drama This Town, created by Steven Knight, adding to his growing list of television credits.
Blue Lights (BBC Series)
Patrick also appeared in Blue Lights, further strengthening his association with BBC productions and showcasing his versatility across screen roles.
Deepika eventually responded to an Instagram reel that questioned her silence. The post suggested she had given the film the “silent treatment” despite its record-breaking performance and raised questions about whether her actions were intentional or overanalyzed.
