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James Cameron says AI replacing actors is a “horrifying” path for Hollywood

He says AI-generated acting is “the opposite of cinema”

James Cameron: AI actors is a horrifying path for Hollywood

He argues that authenticity, expression, and the relationship between actor and director cannot be recreated by software

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Highlights

  • Cameron rejects the idea of replacing actors with AI-generated performances
  • Says cinema depends on human expression, not algorithmic creation
  • Reflects on decades of work on the Avatar franchise and the weight of large-scale filmmaking

Cameron challenges Hollywood’s growing reliance on generative tools

James Cameron issues a strong warning about the direction generative technology is taking in the industry. The Avatar filmmaker says the idea of creating characters and emotional performances through text prompts is “horrifying” and runs against the foundations of cinema.

In a conversation with Variety, he recalls similar speculation during the development of the first Avatar in 2005, when rumours suggested he was attempting to remove human actors from the process. Cameron dismisses those claims now as firmly as he did then, saying actors have always been central to his storytelling. He explains that the performance-capture technology used in his films is designed to elevate an actor’s work, not replace it.


Text-prompt acting draws a firm “no” from Cameron

Cameron contrasts his approach with current studio experiments that build entire performances from prompts. He points out that these tools can generate a character, an actor, and a full emotional arc without any human involvement. That, he says, crosses a boundary.

He argues that authenticity, expression, and the relationship between actor and director cannot be recreated by software. Without that exchange, he warns, storytelling loses its substance.

Decades in the Avatar world and the weight of large budgets

In a separate podcast appearance, Cameron reflects on nearly thirty years spent shaping the Avatar universe. He acknowledges that large budgets bring high expectations and says he is familiar with the pressure that comes with handling projects on that scale. He does not reveal the budget of his upcoming film Fire and Ash but notes the responsibility behind it.

The original Avatar (2009) remains the highest-grossing film ever with nearly $3 billion worldwide, while Avatar: The Way of Water has earned $2.3 billion globally.